REVIEW: Prevenge, or What You Don’t Expect When You Are Expecting

British filmmaker Ben Wheatley is making his mark not only through his nihilistic movies, but by influencing some of his collaborators. Chief of them all is Alice Lowe. The female lead in Wheatley’s most “accessible” film, Sightseers, Lowe does it all -writes, directs, stars- in Prevenge, a pitch black comedy that pushes the envelope further than you could possibly imagine.

Lowe is Ruth, a pregnant woman on her third trimester who goes on a killing spree. The targets are very specific (we slowly learn why), and Ruth is more or less methodical in her approach. She seems to be getting orders from her unborn baby, who despite having been surrounded by amniotic fluid since her conception, is very judgemental.

Prevenge moves at brisk pace, and allows plenty of humor among the carnage, mostly from the contrast between the presumably vulnerable Ruth and her actions. In spite of her doings, the protagonist remains sympathetic, as if her life wasn’t her own. Repeatedly, we get back to Ruth’s doctor who -unaware of her patient’s homicidal tendencies- pushes her to wrestle control back from the unborn baby.

While there is a clear method to the madness, Prevenge resolution is a notch underwhelming. That said, Lowe dots her I’s and crosses her T’s. The overall thoughtfulness indicates there is a future for the multi-hyphenate artist behind the camera. Three prairie dogs.

Prevenge starts streaming in Shudder on March 24th.

Author: Jorge Ignacio Castillo

Journalist, film critic, documentary filmmaker, and sometimes nice guy. Member of the Vancouver Film Critics Circle. Like horror flicks, long walks on the beach and candlelight dinners. Allergic to cats.