For a low-budget genre flick, there are several things We Go On does right. It’s a self-contained film that doesn’t chew more than it can eat, features a true to life dialogue, and -above all- invests on a good cast, namely John Glover in a supporting role and the perennially underrated Annette O’Toole as one of the leads.
The plot: Crippled by phobias and fear of dying, Miles (Clark Freeman) comes to the conclusion the only way he can move on with his life is by having certainty there is something beyond the grave. He literally throws money to the problem by offering 30,000 dollars to the first person able to prove we go on (see what I did there?)
Predictably, Miles receives hundreds of answers, but only four capture his attention: An academic, a medium, an adventurer and a mysterious caller. Alongside his concerned mother (O’Toole), Miles goes on a supernatural tryout that may render undesired results.
The heart of the film is the relationship between Miles and his mom. In spite of the context, the two maintain a healthy rapport, which ups the ante. The top half slow-burning leads to a more traditional -if competent- conclusion. The denouement works with recognizable genre troupes, but still manages to provide a surprise or two.
Because We Go On is aware of its limitations, it doesn’t try for the ‘wow’ factor. It could have taken some risks and deliver some jolts, but overall, it’s a tidy endeavor. Two and a half prairie dogs.
We Go On is available on Shudder.