Dario Argento’s classic horror movie about a young woman (Jessica Harper) attending a dance school in Europe and discovering something sinister is happening at the school, is turning 40 this year.
Synapse Films did a 4k restoration on the movie that took four years to complete and has been screening the restoration in select theatres this year. It apparently looks amazing. They’ve also just released the restoration on blu-ray this month. Continue reading “Sunday Matinee: Suspiria”
As satisfying as The Force Awakens was, as the dust settled, it became clear than J.J. Abrams had basically remixed A New Hope for a new generation without bringing new ideas to the fore (heck, Abrams went for yet another Death Star, the most cumbersome of weapons). Considering this development, concerns over The Last Jedi being another Empire Strikes Back weren’t unfounded.
Enter Rian Johnson. The writer/director behind the brainy indies Brick, Looper and The Brothers Bloom explores corners of the Star Wars universe never seen before on screen, without breaking the mold. Chief among them, a scenario beyond the battle between good and evil that has characterized the saga. Johnson also takes full advantage of the visual possibilities and deliver the most unique-looking episode of the franchise, without becoming a CGI hodgepodge like the prequels. Continue reading “REVIEW: ‘The Last Jedi’ is Star Wars’ Best Film Since ‘Empire’”
Director Mike Hodges and Michael Caine decided to follow up the brilliant Get Carter with another gangster like film, the 1972 movie Pulp.
The difference this time out is instead of a serious and gritty crime drama Pulp is more of a comedy. It has goofy moments and jokes, then some gritty crime. Michael Caine stars as Mickey King, a novelist who writes books like My Gun is Long and The Organ Grinder under pen names Guy Strange, Gary Rough and the amusing S. Ódomi. Caine is hired to ghost write and autobiography of retired actor Preston Gilbert (Mickey Rooney). Continue reading “Sunday Matinee: Pulp”
After stopping the Godzilla franchise in 2004 Toho Studios gave the big guy a break for a few years. They then licensed him out to Legendary Pictures who started a new American Godzilla franchise that started in 2014. When that movie was a success Toho decided to relaunch the series in Japan again. They brought in acclaimed director Hideaki Anno (creator of Neon Genesis Evangelion) to write and co-direct the new movie. In 2016 Shin Godzilla hit screens and presented a very different take on the legendary monster.
The movie draws its inspiration from the 2011 Tōhoku earthquake and tsunami and the Fukushima Daiichi nuclear disaster. The Japanese Coast Guard investigate an abandoned boat only to be attacked by a huge wave and a creature. News reports later show a giant tail swimming closer to shore. The prime minister of Japan assures people that the sea creature can’t come on shore. It has gills and no limbs. Despite this the creature swims into canals and into Japan and eventually makes land where the creature evolves legs and lungs. Continue reading “Sunday Matinee: Shin Godzilla”
Star Wars and Close Encounters of the Third Kind aren’t the only movies celebrating their 40th anniversaries this year. Terry Gilliam’s Jabberwocky is too.
Jabberwocky was Gilliam’s first solo directorial effort away from Monty Python although Michael Palin stars in it and Terry Jones has a cameo. Palin stars as a poor cooper in medieval times. All Palin wants to do is work and marry a large peasant woman who doesn’t really like him. Palin’s father disowns him on his deathbed so Palin goes to town to try and find work. Continue reading “Sunday Matinee: Jabberwocky”
Pixar’s less heralded but most remarkable skill is its ability to introduce ideas and concepts one would be hard-pressed to consider appropriate for a family movie: Mental health comes from managing our emotions, not denying them (Inside Out); the value of criticism lies in the discovery of new talent (Ratatouille); overprotection can stunt a child’s growth (Finding Nemo).
There is nothing intrinsically wrong with Coco -it’s visually stunning and it’s undeniably fun- but the message (“families are important and want the best for us”) is pedestrian at best and debatable under certain circumstances. Not that the value of family was ever a novel idea, but the Fast and Furious saga has driven the notion into the ground.
Coco is set during the Day of the Dead in Mexico, the one time of the year those who have passed can come for a visit. At the Rivera household, the fiesta is celebrated without music. A few generations ago, the paterfamilias left his wife and baby daughter to pursued a career in music and never returned. It was decided then the family would make a living making shoes and no tunes will ever be played at home, or surrounding areas. Continue reading “REVIEW: Coco Sneaks Up on You”
Okla native Byron Bashforth has been involved in nine Pixar movies and four shorts to date, including the Disney subsidiary’s brand-new feature, Coco. Bashforth is the film’s character shading lead, meaning he is responsible for the team in charge of the look of all the characters in the film. Considering that Coco unfolds in two separate realities and the number of roles is in the dozens, Bashforth has his work cut out for him.
Byron got his Master in Computer Science at the University of Saskatchewan and has been involved with Pixar for almost two decades. “I remember watching the trailer for Toy Story and it occurred to me for the first time that you could use computers to do something else than computer science stuff. It opened the possibility of being able to combine my artistic streak and computers as a career.”
Iris Henderson (Margaret Lockwood) is a British tourist about to head home from the country of Bandrika. A train delay forces everyone who was going to travel to spend a night at the local inn.
Iris is disturbed by music playing in the room above her getting the young musician Gilbert Redman (Michael Redgrave) kicked out of his room. Gilbert retaliates by forcing Iris to let him stay in her room. Meanwhile elderly Miss Froy (Dame May Whitty) is listening to a local musician play a tune outside her window. Unbeknownst to Miss Froy, the musician is killed shortly after playing the tune.
There is no denying Loving Vincent is an extraordinary achievement. All 65,000 frames of the movie are oil paintings, courtesy of 115 artist who aped Van Gogh’s style for almost a decade. The outcome looks like a living, breathing canvas.
If only the same amount of care had been put on the script.
Story-wise, Loving Vincent is a pedestrian affair, practically pulled from Wikipedia: A year after Vincent van Gogh’s death, Armand, an adrift young man (Douglas Booth, Noah), is tasked with delivering the artist’s final letter to his brother Theo. Doesn’t take too much digging for Armand to discover the brother has been dead for a few months. Finding Theo’s surviving family proves a little more difficult, especially after stumbling on clues that suggest Vincent may not have killed himself.
The mystery of Van Gogh’s death is amped up for dramatic purposes, but the investigation never feels too pressing. The red herrings are painfully obvious and the information is dispensed in roundabout and clumsy ways. Clearly the wrong person for the job, Douglas Booth overdoes it as the lead, as if believing the animation technique may prevent his acting from coming across.
All we are left with is the gimmick. Thankfully, it’s a memorable one. Loving Vincent recreates the artist’s most magnificent creations: Much of the fun of the movie comes from recognizing Van Gogh’s masterpieces on screen, from his many portraits to the ubiquitous “Starry Night”. Pick any detail -cigarette smoke, a windmill in the background- and you will discover remarkable artistry and attention to detail.
One can certainly appreciate the effort put into the making of Loving Vincent, but film is a different medium and requires a more holistic approach than just pretty pictures. 2.5 prairie dogs (out of five).
Following a shaky start, the DC Extended Universe has reached a modicum of stability (thanks Wonder Woman!). There are still some kinks to work out, but glaring problems like cohesiveness and that whole “Martha!” business seem to be a thing of the past.
Considering the problematic installments that preceded it, Justice League is fine. The story is constrained and doesn’t take itself all that seriously: The Flash notwithstanding, it’s still grimmer than Thor: Ragnarok laugh-fest, which may not be a bad thing.
There is not a lot of absolutely bat shit crazy cinema but during the 1970s exploitation era there was some amazingly unique movies. Today’s Sunday Matinee for example is a 1975 action/horror exploitation flick Wolf Guy based on the Japanese manga of the same name.
Trying to describe this movie takes a bit of work. Shinichi “Sonny” Chiba runs into a yakuza who is fleeing something. The man manages to get out of a crowd and into a back alley where an unseen force tears the man to shreds. Chiba catches up to the man finding him dying and mentioning a woman named Miki and a tiger. Continue reading “Sunday Matinee: Wolf Guy”
I wanted to add this to this year’s 31 Days of Horror but it just didn’t quite fall into the horror category. This British/Canadian production by director Bob Clark has Sherlock Holmes going after Jack the Ripper in 1979’s Murder by Decree.
Those familiar with the Space Channel cult horror-comedy Todd & The Book of Pure Evil may remember the show ended its two-year run on a cliffhanger. Five years later, the resolution has finally arrived: As a feature-length animated film.
Todd & The Book of Pure Evil: The End of the End starts shortly after the events of the series finale, in which relationships became strained and one of the main characters was killed off during the vanquishing of said book. The film doesn’t quite resets the story but reshuffles alliances and gives the student body of Crowley High new reasons to fear attending school.
Quirky as ever, animation frees Todd‘s creative team to up the ante (two words: acidic acne). You don’t necessarily have to know the show to enjoy the film (a thorough recap is provided), but it enhances the experience. The comedy in display is a bit of an acquired taste. That said, those with tolerance for gore and gross-out humour are in the clear.
Todd & The Book of Pure Evil: The End of the End will play only this Saturday 4th at 9.30 pm at the Rainbow Cinemas-Studio 7, with director Craig David Wallace and actor Alex House (Todd himself) in attendance.
As high as Marvel’s batting average is, there is a ceiling the MCU movies struggle to break through. Outside the first Iron Man, Captain America: The Winter Soldier and Spider-Man: Homecoming, Marvel has had a hard time generating stakes. Sure, the MCU movies are a guaranteed good time (especially when compared to the DCEU), but I can’t say I’ve been all that invested in the wellbeing of the people of Sokovia, Xandar or New York.
The lack of emotional weight rears its head again in Thor: Ragnarok, but the movie makes up for it with charm and laughs. Far and away the best movie about the God of Thunder and the funniest comedy of the year not involving Stalin, the third Thor movie benefits greatly from having Taika Waititi (What We Do in the Shadows) at the helm. Waititi understands the character better than his predecessors, brings his dry, sharp comic sensibility to the table and makes the most of Chris Hemsworth’s considerable comedy chops. Continue reading “REVIEW: Thor: Ragnarok Is Pure Kiwi Fun”
Another October has come and gone and another year of 31 Days of Horror is over. To wrap things up is Black Christmas from 1974.
It Christmas time and the women at a sorority house has are having party while getting ready to go home for the holidays. Soneone climbs up into the attic of the house. Jess (Olivia Hussey) answers a phone call to house and lets the other women listen to what seems to be an obscene phone call. Barb Coard (Margot Kidder), Phyllis “Phyl” Carlson (Andrea Martin), Clare Harrison (Lynne Griffin) and several others listen in. Barb provokes the caller who threatens to kill the women. Continue reading “Aiiieeeee!!! Canada: 31 Days of Horror – Black Christmas”
John Russell (George C. Scott) is a composer who has just rented an old Victorian style house while recovering from the deaths of his wife and daughter who were killed in a tragic car accident.
Russell has been noticing some strange occurrences around the house. Every morning there is a persistent loud banging. One night Russell finds a bathtub full of water and what looks like a drowned boy in it. Later he finds a hidden door that leads to a room upstairs where a boy’s wheelchair has been left in a dusty room. Continue reading “Aiiieeeee!!! Canada: 31 Days of Horror – The Changeling”
A security firm called Con-Sec has discovered that there are people out there called scanners. Scanners are psychics with telepathy, mind-control, and telekinesis. Con-Sec is gathering up scanners so they can use them as weapons.
Mary Mason is a medical student trying to work and pay her way through school so that she can become a surgeon. She applies at a strip club but ends up saving the life of a man who has been tortured in the basement of the club. She saves the man’s life but feels disgusted afterwards.
Several days later of the dancers at the club, Beatress Johnson (Tristan Risk), who has had surgery to look like Betty Boop offers Mary $10,000 if she performs body modification surgery on a friend of hers, Ruby Realgirl (Paula Lindberg) who wants to become a living doll. Mary takes the money and performs the surgery. Continue reading “Aiiieeeee!!! Canada: 31 Days of Horror – American Mary”
At the advance screening of Thank You for Your Service, I was informed it was from the same writer of American Sniper. My heart sunk. Alongside Lone Survivor, American Sniper is the most questionable portrait of American military in modern day. Not only Sniper presented a warped version of the Iraq War courtesy of Clint Eastwood, a number of the events depicted by the film turned out to be false.
I’m happy to inform Thank You for Your Service is nothing like Sniper or Survivor. A subdued approach to the less than welcoming environment that awaits soldiers deployed abroad, Thank You for Your Service is devoid of any jingoism. For the characters of this movie, becoming a soldier is a final career opportunity after running out of options.
Adam (Miles Teller), Solo (Beulah Koale) and Will (Joe Cole) are three close friends from Topeka, back in their hometown after serving a tour of duty in Iraq. None of them are in good shape. Adam is wrecked by guilt for his responsibility on the death of a fellow soldier, Solo’s brain is “scrambled” after being blown up seven times (!), and Will is putting all his hopes and dreams on his fiancée, who may not be in the picture by the time of his return.
This is not one of those movies in which the lead doesn’t want help to deal with their PTSD. Adam and Solo are eager to receive assistance, but the backlog is such, they could be waiting for months on end. The delay proves to be unbearable for the young veterans, whose family lives hang by a thread.
Through the entirety of Thank You for Your Service, first time director Jason Hall sustains enormous tension, even though towards the end the film leans on dramatic tropes not at the same level than the rest of the movie. Miles Teller is becoming a very effective and unassuming performer, especially now he is not involved with comic franchises or YA adaptations.
A mishap worth mentioning is the casting of Amy Schumer as a soldier’s widow. She is not bad per se (although her climatic scene could have used a more seasoned dramatic actress), but is definitely distracting. It’s one of those cases in which name recognition comes with a price tag.
Overall, Thank You for Your Service is a healthier take on the costs of war, which reverberate long after the conflict has ended. Something to keep in mind when casually suggesting bombing some country, or stating soldiers know what they signed up for. Three prairie dogs.
Thank You for Your Service is now playing at the Cineplex in Southland Mall.