A few disclaimers before we start:
* Much like Ghostbusters last year, Wonder Woman has triggered a disturbing number of reactions against it because it features a female lead. This is not worth discussing and won’t be part of the review. How insecure can someone be that the idea of a woman superhero feels threatening? Or that the notion of an all-women screening is somehow an assault on men’s rights? This is toxic masculinity at its purest.
* I have nothing against DC Comics (or Marvel for that matter). My approach to review comic book-based movies is to focus exclusively on the film itself. I don’t have a “team”, at least until Haneke or Von Trier make a superhero movie.
Wonder Woman, the fourth film in the DC Comics cinematic universe (DCCU) is, without a doubt, the best one so far. It solves the most glaring flaws of Man of Steel, Batman v Superman and Suicide Squad while anchored in the same universe.
It’s not difficult to explain the enthusiasm for Wonder Woman: DC fans are hungry for a film to be proud of and females have gotten the short shift in the subgenre for decades. But the idea this adaptation solves all the franchise’s shortcomings is wishful thinking. The plotting remains shaky and those pervasive conclusion problems persist. Thankfully director Patty Jenkins (Monster) is savvy enough to identify and solve the biggest issue plaguing the DCCU: Character development. Continue reading “REVIEW: Wonder Woman Shows DC the Way”